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Calligraphy and painting are the name cards of a country and the symbol of a nation. Calligraphy and painting are the embodiment of the rejuvenation of a nation and the beautiful expression of daily life. To promote cultural innovation and development, the most fundamental thing is to create outstanding works worthy of our great Chinese nation and era. The real calligrapher and painter is not only the successor of excellent culture, but also the developer and pioneer. Liang Qiqing, male, born in Wuchuan City, Zhanjiang City, Guangdong Province, was engaged by the Zhanjiang Municipal Government and the Zhanjiang Huguangyan Scenic Area Administration in 2005 to undertake the Volcano Museum, a large-scale architectural sculpture project of the Shenshi Project of the Zhanjiang Huguangyan Scenic Area, AAAA World Geopark in Lei Qiong, China. The museum has 80-meter-long, 4.8-meter-high relief murals of Zhanjiang Huguangyan stories, 1,000-year-old banyan trees at the east gate, and 13-meter-high dragon fish. The 22-meter-long, 18-meter-wide, 6-meter-high, 400-ton Wanshou Tortoise (reported to Guinness Book of Records) was built in 2007 with a 12.8-meter-high double-sided view of the Lake Guanyin and the Sea Guanyin, which are dignified in beauty and lucky in luck, attracting numerous tourists. In 1999, Sanya Municipal Government of Hainan Province, Tianya Haijiao Tourism Development Exhibition Company hired Liang Qiqing to sculpt Luhuitou Park, a 5.5-meter-high moon statue of the 1999 International Wedding Festival. Liang Qiqing is a master of Chinese architectural sculpture. In addition, the pen container made by Mo Bao, a famous Chinese historical and cultural figure, was presented as a gift to international friends in diplomatic activities, contributing to friendly exchanges between China and foreign countries. His great sculpture has been recognized by the state and highly appreciated by Zhao Xun, the fifth president of UNESCO's academy of geological sciences, and dr mckevey, a german world geological scientist. Master Liang Qiqing not only made great achievements in architectural sculpture skills, but also led the art world in his calligraphy and painting works, which were praised by leaders of various countries. His calligraphy and painting works have profound cultivation skills and unique composition. He is praised as a pioneer in the reform of contemporary calligraphy and painting circles and an ambassador for cultural exchange in the belt and road initiative. The calligraphy and painting are dignified and beautiful, majestic, unique in skill, superb in both strokes, bold and unconstrained in regular script, running script, official script, seal script, calligraphy peak, smooth in movement, unique in couplet, poem and chapter, generous and appropriate, and unique in creating personal works, thus being worthy of being called the great master of Chinese art. He is a rare talent in calligraphy and painting with both virtue and skill. Liang Qiqing devoted his whole life to the artistic career, assiduously studied and developed two highly difficult and beautiful works with the same book. On the road of art, he inherited the traditional culture and made great achievements in the field of contemporary painting and calligraphy and in the innovation of arts and crafts. Liang Qiqing's poems are based on the quintessence of China's 5,000-year culture. In the Han Dynasty, when Chinese culture was most prosperous, the pattern of geomantic tiles was used as a seal, of which two were adopted, one was Qinglong constellation and the other was rosefinch constellation. The round seal is used to fix the feng shui orientation of calligraphy and painting. The verse couplet is bold and magnificent, auspicious and harmonious. It means the art of descendants of the dragon and phoenix in China. One is the square seal of a national treasure, the bronze horse stepping on a flying swallow, which symbolizes the spread of works around the world. There is also a long seal of Wenchang Art. Wenchang Emperor Wen Quxing is the god of human culture. All scholars and intellectuals worship him and achieve, champion and to be no.1 in the name of Yougong. This chapter was all written by him and carved out of water and wood by hand. Liang Qiqing's calligraphy seal, pen and inkstone were praised by the Chairman of the Chinese Buddhist Association of new york and the Chairman of Huguangyan Temple, Shi Qinghai, when they passed through the world geological park of Zhanjiang Huguangyan Wanghai Guanyin and Wanghu Guanyin. The Buddha's light shines brightly and the pen is brilliant. In 2012, he took part in Zhanjiang's first unique folk art charm, and wrote the same book in two strokes. Zhanjiang Won Silver Award for Rise and Happiness in Five Years. He was admitted as a member of China Arts and Crafts Association. In 2014, he praised the Chinese couplet craft, the founding of the People's Republic of China with one stroke and one stroke, and presented a tribute to China with two strokes. He took part in the China Guangzhou Folk Craft Fair and won a bronze award. During the fair, he arranged to perform the skills of two strokes and one stroke with one stroke on the spot and was rated as an outstanding folk artist in Guangdong Province. In 2016, the Chinese nation's famous holy Qingfeng clean government sculpture series, Chen Lanbin, Lin Shaotang and Confucius Mo Bao cylinder won the silver medal in the China Guangdong Folk Arts and Crafts Fair. In 2017, China Dream, Guanyin Songzi, Kirin Songzi and Maitreya Laughing Buddha, which create fragrant culture, won the bronze award at the Winter Fine Arts and Crafts Exhibition of China (Shenzhen) International Cultural Industry Expo. He was named the first master of folk art in Zhanjiang city and was admitted as a member of China folk artists association. In 2018, the first China Calligraphy Academy Cup National Calligraphy Competition won a silver medal and was rated as a national calligraphy elite. His works won a gold medal in the Dongfanghong Great Praise National Poetry, Calligraphy and Painting Competition. In 2019, his works won the gold medal in the 7th National Poetry, Calligraphy and Painting Contest "Building China Dream Together" and was awarded the honorary title of contemporary red artist. His works won the second prize in the 10th Xihe Cup National Poetry, Calligraphy and Painting Competition. The work won the gold medal in the third "the belt and road initiative and China Ritual Cup" national painting and calligraphy competition and was awarded the honorary title of "the belt and road initiative Pioneer". Currently, he is an academician of China Calligraphy Academy, visiting professor of Beijing Huaxia Lanting Calligraphy and Painting Academy, senior researcher of Lushan Mountain Mao Style Calligraphy and Painting Academy, member of China Calligraphy and Painting Masters Association, member of Huaxia Learned International Cultural Exchange Center, vice president of China Poetry, Calligraphy and Painters Network Calligraphy and Painting Research Institute, and the Chinese Calligraphy and Painting Professional Title Evaluation Center is rated as a national first-class calligrapher and national first-class artist. It is estimated that each square foot of his calligraphy works is 12,000-18,000 yuan (RMB). Evaluation of his traditional Chinese painting works is 28000-36000 yuan (RMB) per square foot. The Beijing Huaxia diplomatic ceremony international brand promotion center rated him as a Chinese ceremony calligrapher and painter and a Chinese ceremony arts and crafts artist. The domestic market for calligraphy works is 30000-36000 yuan (RMB) per square foot. The international market is 4500-5400 (US dollars), Chinese painting works are 60000-66000 (RMB), and the international market is 9000-9900 (US dollars) per square foot. At present, we are preparing to apply for national cultural creation patents and apply for cultural heritage intangible cultural heritage. Mo Dao Gao Tang has treasures, Anzhi has exotic flowers in the countryside. Liang Qiqing is just one such Chinese nation, a unique artistic wonder that inherits the tradition, innovation and uniqueness of the national culture for 5,000 years.

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