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高曦——《峥嵘七十载 与祖国同梦》献礼建国 70 周年

2019-09-11 14:59:07   浏览次数:

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高曦,字東升,男,1980年生,安徽淮南凤台县人,国家一级美术师,中国民族建筑研究会书画艺术专业委员会客座教授。中国楹联学会书法艺术研究会副秘书长。中国教育电视台水墨丹青山东书画院副院长。中国书画家联谊会新文艺工委会特聘书画家。早年进修阜阳师范学院学习国画,2015年结业于中国书画函授现代远程教育中心写意花鸟高研班,师从郭世平教授。作品多次参加省、市及国展并获奖。现为中宣盛世国际书画院,世界华人书画家协会会员(淮南书画交流中心主任),中国楹联学会书法艺术研究会会员,全国名人书画艺术界联合会委员。

   Gao Xi, Dongsheng, male, born in 1980 in Fengtai County, Huainan, Anhui Province, is a first-class national artist and a visiting professor of the Calligraphy and Painting Arts Committee of the Chinese Academy of National Architecture. Deputy Secretary-General of Calligraphy Art Research Society of Chinese Couplet Society. Vice President of the East Academy of Calligraphy and Painting of Qingshan Mountain, China Educational Television Station. Chinese Painters and Calligraphers Association New Literature and Art Commission hired painters and calligraphers. In his early years, he studied Chinese painting in Fuyang Normal University. He graduated from the Freehand Brushwork Flower and Bird College of Modern Distance Education Center of Chinese Calligraphy and Painting Correspondence Education in 2015, and was taught by Professor Guo Shiping. His works have participated in provincial, municipal and national exhibitions for many times and won prizes. He is now a member of the Shengshi International Academy of Calligraphy and Painting, the World Association of Chinese Calligraphers and Painters (director of Huainan Calligraphic and Painting Exchange Center), a member of the Calligraphic Art Research Association of the Association of Chinese Couplets, and a member of the National Association of Celebrity Calligraphic and Painting Art Circles.

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高曦作品

荣膺“致敬中华70载”艺术成就人物并入编《中国文化进万家2019精品日历》,在2019年中国文化进万家年度盛会暨庆祝改革开放40周年艺术回顾展中被授予;艺术改变生活-和合慈善艺术家荣誉;同年七月中国文化进万家工作委员会推选为“纪念建国七十周年——新时代(经典)艺术家”,2019年中国文化报道,授予"德艺双馨艺术家"荣誉称号,同年中国文联体制内新文艺工委会,授予"新文艺书画家领军人物"称号,同年中国新闻杂志社委员会,评选为《2019年当代中国艺术家新媒体传播大使》荣誉,由一带一路世界儒商联盟重点推荐“一带一路杰出书画领航人物”,同期受邀入编“庆祝中华人民共和国成立70周年”主题邮票,同年受邀入编《中国艺术大家》名录,入编《艺术为人民》名家书画精品集。

He was awarded the honor of "Seventy Years of Respect to China" artistic achievements and incorporated into the "Calendar of Chinese Culture into Ten Thousands of Schools of Excellence 2019", which was awarded in the annual grand event of Chinese Culture into Ten Thousands of Schools in 2019 and the art retrospective exhibition celebrating the 40th anniversary of reform and opening up; the honor of artistic life-changing-harmony charitable artists; and the working committee of Chinese Culture into In 2019, the Chinese cultural report awarded the honorary title of "artist of both virtue and art". In the same year, the New Literature and Art Industry Committee within the system of the Chinese Federation of Nations awarded the title of "Leader of New Literature and Art Calligraphers and Painters". In the same year, the Committee of China News and Magazine Society awarded the Title of "201". The honor of the 9 year ambassador to the new media dissemination of contemporary Chinese artists is recommended by the "round the world outstanding calligraphy and painting navigator" by the world Confucian Merchants League. In the same period, it was invited to edit the theme stamps to celebrate the founding of the People's Republic of China 70th anniversary. The People is an excellent collection of famous paintings and calligraphy.

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入编《中国书画家大百科》,入编《中国当代书画名家大辞典》,入编《中国美术名家作品集》,入编2019年6月份中国国际新闻,人民艺术家导报头刊!以中国书画艺术实力代表人物入编《文化中国聚焦当代艺术名家》书画专刊。7月份参与〈画者文脉〉全国名家书画邀请展!2019年7月份参与央视“翰墨人生——中国书画名家重点推荐”专题片的制作。同期《时代•中国之声》期刊杂志中做专题报道!2019年8月份受邀入围《联墨艺术进校园—传承经典 当代名家作集》,作品集将会通过教育部门推荐至全国各大院校及有关单位作为艺术参考的教学画册!同期受中国教育电视台水墨丹青邀请编辑制作《时代先锋书画家献礼70周年大阅兵》专刊!2019年9月份受邀入编大型特辑《传承与超越——新时代艺术先锋人物》!同期受邀参与“不负时代·守正创新——传承红色基因暨第二届民族书画艺术创作座谈会”

Encyclopedia of Chinese Painters and Calligraphers, Dictionary of Contemporary Chinese Painters and Calligraphers, Collection of Works of Chinese Artists, Headline of China International News and People's Artists Report in June 2019. The representative figure of Chinese painting and calligraphy art strength was included in the special issue of "Cultural China Focusing on Contemporary Artists". In July, I participated in the National Invitation Exhibition of Famous Artists'Calligraphy and Painting. In July 2019, he participated in the production of CCTV special film "Life of Chinese Calligraphy and Painting - Key Recommendation by Chinese Calligraphers and Painters". In the same period, special reports were made in Time Voice of China magazine. In August 2019, he was invited to be included in "Lianmu Art into Campus - Collection of Contemporary Masters Inheriting Classics". The collection will be recommended by the education department to all universities and relevant units in the country as a teaching picture book for artistic reference. At the same time, he was invited to edit and produce a special edition of "The 70th Anniversary Parade of the Avant-garde Calligraphers and Painters of the Times" by the Chinese Educational TV Station Ink Danqing. In September 2019, he was invited to compile a large-scale special edition "Inheritance and Transcendence: Pioneers of New Age Art"! At the same time, he was invited to participate in the "Unfailing the Times, Keeping the Right and Innovating: Inheriting the Red Gene and the Second Symposium on the Creation of National Calligraphy and Painting Art"

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一帜独秀诉禅风    丹青气韵渡哲思

—记著名画家高曦

花鸟画是中国画的一个主体门类,是传统文修精神和品格的寄寓平台。文人喜绘花鸟,原因在于花鸟可以表达书卷气息与禅道内涵。在当代画坛,许多花鸟画却失去了文修禅道的内涵,走进了媚俗艳质的歧路。反观当代著名画家高曦先生的花鸟作品,忽若禅风来,简约趋道,与他的文人修为相互匹配,给人们提供了可观赏益修为的丹青新境界。

A School of unique philosophical thoughts on Chan style, Dan Qing Qi Yun Du

A Record of the Famous Painter Gao Xi

Flower-and-bird painting is a main category of Chinese painting and a platform for the spirit and character of traditional culture and culture. Scholars like to paint flowers and birds because they can express the breath of books and the connotation of Zen Taoism. In the contemporary painting world, many flower and bird paintings have lost the connotation of Zen Buddhism and entered the disadvantage of being vulgar and gorgeous. Looking back at the flower and bird works of the famous contemporary painter Mr. Gao Xi, it seems that the Zen style is coming, the simplicity tends to match with his literati cultivation, which provides a new realm for people to appreciate and benefit cultivation.

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他的花鸟作品,在构图上有独特的法则,无论是梅兰竹菊,主题构建一枝而出的空间存在,一枝是固定的,但是一枝而出的方向却是千变万化的,或是一枝梅斜出于上,或是一段竹逸出于下,或是一枝荷横出于左,或是一枝柳陈出于右……这些一枝出于多元方向的构建,很容易产生道有根本法向多面的哲思引导,让人在观画的过程中,跟随枝出走向,感念极简空间里的哲学充盈。

    His works of flowers and birds have unique rules in composition. Whether they are plum, orchid, bamboo and chrysanthemum, the theme of the construction of a branch of space exists, one branch is fixed, but the direction of a branch is ever-changing, either a plum sloping out of the top, or a bamboo escaping from the bottom, or a lotus crossing from the left, or a willow. Chen Yu-you... These branches are constructed in multiple directions, which can easily lead to the philosophy guidance of Tao with fundamental normal orientation and multiple aspects. In the process of viewing the painting, people follow the trend of the branches and feel the philosophical filling in the minimalist space.

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现在有一些画家,画一佛一寺,便说是禅画。事实上看过高曦先生的花鸟作品之后,便会感知到,真正的禅画不是佛与寺的物象刻画,而是用简约的笔墨在空间里构建起空与有的顾映内涵。一枝为有,方向为空,枝上落小鸟一只,或静或动,都有势能构制,让画面充满变的的可能性,于是永恒与流变在他的画面空间里被诠释的通灵剔透!

   Now there are some painters who paint a Buddha and a temple, which is called Zen painting. In fact, after reading Mr. Gao Xi's works of flowers and birds, we will realize that the real Zen painting is not the depiction of Buddha and temple, but the construction of empty and reflective connotation in space with simple pen and ink. One branch is there, the direction is empty, one bird falls on the branch, or static or dynamic, all have potential energy structure, so that the picture is full of possibilities of change, so eternity and change in his picture space are interpreted through the spirit!

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在用笔方面,高曦先生的画法非常重视轻重虚实的节奏把握。用疾慢有序的笔触去勾勒枝干的苍劲与动逸,正向勾笔气脉畅通,反向勒笔不失性灵,笔行流畅,毫无结滞,带有书法用笔行草的书写性,体现了书画同源的线条法则。然后把山水画中的皴法转迁成枝干的质感铺陈,多层积墨,质如刮铁塑梅骨,亦可卷云写兰馨。

    In the use of brushes, Mr. Gao Xi attaches great importance to grasping the rhythm of the light, the false and the real. Use slow and orderly strokes to delineate the vigor and ease of branches, smooth forward stroke pulse, reverse stroke without losing its function, fluent stroke, no stagnation, with the handwriting of brush and grass in calligraphy, reflecting the line rule of the same origin of calligraphy and painting. Then the texture of the branches and trunks in landscape paintings will be changed to lay out the texture, multi-layer ink accumulation, such as scraping iron and plastic plum bones, can also scroll clouds to write orchids.

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墨的使用,以淡雅有古意为风格,是宋元花鸟用墨为明辉的灵通感,焦墨不呆,淡墨不浮,干湿浓淡焦,五色皆质,显成墨的泽灵观感,赋设出禅与道的气韵,再加上色彩的灵性铺陈,青绿示生机,红绛染艳雅,墨的多层与色的多彩,相互补益,又互不相碍,画面干净如秋水,一尘不染,诉 意禅风,令人对境感韵,如涉天工!这些唯美多哲思的镜面小品,具有很好的观赏性,也具有非常到位的雅室装饰价值,得一幅镜面小品饰于家居,四壁陶冶,醉是书香气!

The use of ink, with the style of elegance and antiquity, is the inspiration of the flowers and birds in Song and Yuan Dynasties to use ink as a bright light. It is not dull, light ink does not float, dry and wet thick and light, all colors are of good quality, showing the luster and Inspiration of ink, giving the charm of Zen and Tao, together with the spiritual display of color, green showing vitality, red dyeing elegant, multi-layers and colors of ink. Colorful, mutually reinforcing, and not hindering each other, the picture is clean as autumn water, spotless, suggestive Zen style, makes people feel the rhyme of the situation, such as Tiangong! These aesthetic and philosophical mirror sketches, with good ornamental, but also has a very good decorative value of the elegant room, get a mirror sketch decoration at home, four walls of edification, drunk is the aroma of books!  

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高曦作品

一帜独秀诉禅风,丹青气韵渡哲思。中国花鸟画,最怕画得火气十足,这是俗笔的流弊,也是花鸟画有失传统文化涵养的缺憾。高曦先生用文人修为去感悟丹青禅风,以空有而论道,用致简的笔墨,追逐超凡脱俗的清凉境界,他达到了这层境界,也引领大众审美在这层境界里流连忘返,得享修身养性的文化陶冶!

著名书画评论家 史峰  2019年7月3日

     A unique style of expressing Zen, Danqing Qiyun crossing philosophical thinking. Chinese flower-and-bird paintings are most afraid of being full of fire, which is the abuse of vulgar brushwork and also the defect of traditional cultural connotation of flower-and-bird paintings. Mr. Gao Xi used literati cultivation to realize the Zen style of Danqing. He talked about Taoism with emptiness and concise pen and ink. He pursued the cool realm of transcendence and refinement. He reached this realm, and also led the public aesthetics to linger in this realm and enjoy the cultural cultivation of self-cultivation.

Famous Calligraphy and Painting Critic Shi Feng July 3, 2019

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